APUSH Authors Revealed. Read This Before Webinar Tonight.
Share and Enjoy
Stanley Kurtz revealed this morning important information on the writers of the 2015 Advanced Placement US History test, recently realigned by The College Board. There is concern on the left and the right about David Coleman’s version of AP History being taught to students. From How the College Board Politicized American History:
In opposition to this, Bender wants to subordinate American identity to a cosmopolitan, “transnational” sensibility. Bender urges us to see each nation, our own included, as but “a province among the provinces that make up the world.” Whereas the old U.S. history forged a shared national identity by emphasizing America’s distinctiveness, Bender hopes to encourage cosmopolitanism by “internationalizing” the American story.
Bender laments that history as taught in our schools has bred an “acceptance of the nation as the dominant form of human solidarity.” The growing focus on gender, race, and ethnicity is welcome, says Bender, but does little to transform an underlying historical narrative built around the nation. Even the rise of world history in the schools has backfired, Bender maintains, by making it appear as though American history and world history are somehow different topics.
Bender understands that his transnational twist on American history has profound political implications. He complains that while working on his book (during George W. Bush’s presidency), “a discourse of exceptionalism and policies based on it became omnipresent in American public life.” Bender promises that his transnational framing of American history “will give little comfort” to the proponents of policies based on American exceptionalism.
He worries, however, that his globalizing approach to American history might be used to defend precisely the sort of “hegemonic” American foreign-policy he abhors. To prevent this, Bender urges that American history be taught, not only from an American point of view, but from the perspective of those who are subject to American power. “Americans have always found it difficult to imagine themselves as an enemy, as a problem for other people,” says Bender. By showing us ourselves through our enemies’ eyes, Bender hopes to promote humbler and more collaborative forms of American foreign-policy.
To understand the deep entanglement of the College Board in Bender’s political and intellectual project, we need to return to 2000, when a group of 78 historians under the auspices of the Organization of American Historians (OAH) issued the flagship document of the movement to “internationalize” American history, “The La Pietra Report.” Bender authored that report, and it prefigures all the themes he develops in his later writings.
The report takes its name from the Italian villa where the meetings took place, from 1997 to 2000. The La Pietra Report makes much of the fact that those meetings were held outside the United States, and that nearly a third of the scholars working to forge a new U.S. History curriculum were non-Americans. One such scholar, in fact, was Cuban.
Francesca Lopez Civeira, of the University of Havana, participated in absentia, sending a paper on American power as “an object of fear” in Cuban historiography. That fit squarely into a central theme of the La Pietra Report, which urges that American students be exposed to evidence of the “controversial power and presence” of the United States beyond our borders, to the point where “one’s native land seems foreign.”
In common with Bender’s later work, an interim report on the 1998 La Pietra conference warns that a newly internationalized American history could inadvertently create a new “…American global city on a hill, the new model for a global culture and economy. There is a danger of a triumphalism that this history could fall into, thus becoming the ideological justification for the latest phase of capitalism.” Again, the La Pietra scholars try to prevent an internationalized history from justifying America’s global economic and military reach by focusing on how America’s alleged victims and enemies feel about the use of our power.
A conclave of historians with a left-wing foreign policy agenda, a third of them from foreign countries, seems an odd inspiration for the ostensibly non-partisan College Board’s redesign of the AP U.S. History Exam. Yet that is exactly what the La Pietra conference and its report became.
In 2002, two years after the appearance of the La Pietra Report, Rethinking American History in a Global Age, a collection of representative papers from the La Pietra conference was published, with Bender as its editor. At the same moment, the Organization of American Historians, which had sponsored the La Pietra Report, moved to strengthen its collaborative relationship with the College Board’s AP U.S. History program. This led to the formation in 2003 of a Joint OAH/AP Advisory Board on Teaching the U.S. History Survey Course. This Advisory Board focused its efforts on fulfilling the goals of the La Pietra Report. So by forging an alliance with the College Board, Bender and his allies discovered a way to transform the teaching of U.S. history.
Ted Dickson, who served as Co-Chair of the AP U.S. History Curriculum Development and Assessment Committee (the body that wrote the new AP U.S. History Framework), was an original member of the joint panel seeking to advance the goals of the La Pietra Report.
In June of 2004, just as the Joint OAH/AP Advisory Board was searching for ways to reshape the teaching of U.S. history along “transnational” lines, Thomas Bender was invited to address hundreds of readers gathered to grade the essay portion of that year’s AP U.S. History Exam. Bender’s talk, still available at the AP Central website, reflects his political agenda. Speaking in the wake of the American invasion of Iraq, Bender argues that historians who offer narratives of American exceptionalism “bear some responsibility” for reinforcing “a unilateralist understanding of the United States in the world.” That attitude, says Bender, must be fought.
Consider the treatment of immigration, which was written by Florida State University historian, Suzanne Sinke, who co-chaired (with Ted Dickson) the committee that wrote the new AP U.S. History Framework. Sinke tells the tale of an early 20th Century ethnically Dutch woman who immigrated to America, merely to leave and go elsewhere. Traditional historians would not treat this woman as an American “immigrant” at all. And that’s the point. Sinke emphasizes that her goal in telling the story of a woman who merely passed through America without deciding to stay and become a citizen is to teach us “to think beyond national histories and the terms that are caught up in them.”
Ted Dickson’s companion piece on how to teach Sinke’s essay (co-authored with Louisa Bond Moffitt), suggests asking students why the term “migration” might be preferable to “immigration.” The answer is that “immigration” implies a specific and permanent national destination, whereas “migration” is simply about the movement of people across borders, without any reference to adopting a national identity. The political subtext is clear: national interest and national identity take second place to the interests of individual “migrants,” whose loyalties are ultimately “transnational.”
So just before they became co-chairs of the committee that redesigned the AP U.S. History Framework, Suzanne Sinke and Ted Dickson worked closely together on a project whose goal was to reshape the U.S. History Survey Course along the lines recommended by Thomas Bender and the La Pietra Report.
Lawrence Charap, the College Board’s AP Curriculum and Content Development Director, is in overall charge of the AP U.S. History redesign process. Presumably, Sinke and Dickson answer to him. So it is of interest that Charap wrote the companion piece in America on the World Stage to the scholarly article on American cultural imperialism. This scholarly treatment of American cultural imperialism, penned by left-leaning University of Michigan historian Penny Von Eschen, is relentlessly critical of America’s economic and military presence in the world. Eschen, for example, touts the Marxist tract, How to Read Donald Duck, by Ariel Dorfman and Armand Mattelhart, as the classic treatment of American cultural imperialism. How to Read Donald Duck explores the subtle and sinister ways in which Disney cartoons advocate “adherence to the U.S. economic system and capitalist values and work ethic,” as if this was a very bad thing.
So the three people most immediately responsible for the writing of the new AP U.S. History Framework were intimately involved in the College Board’s effort to transform the teaching of American history along the lines of Bender’s La Pietra Report. What’s more, the AP U.S. History redesign process began in August of 2006, just about the time America on the World Stage was taking shape. Dickson, a co-editor of that book, was on the original redesign committee as well as the later one that actually wrote the new AP U.S. History Framework. Dickson himself notes that his work with the OAH (which largely focused on advancing the goals of the La Pietra Report) was a key factor in the College Board’s decision to appoint him to the AP U.S. History Redesign Commission. How can American conservatives, moderates, and even traditional liberals trust an AP U.S. History redesign effort led by figures who were so deeply enmeshed in a leftist attempt to reshape the American history curriculum?
The entire article can be found here. APUSH was largely written/influenced by:
- NYU historian Thomas Bender (author of the far-left-leaning La Pietra Report)
- Ted Dickson and Suzanne Sinke (co-chairs of the group that wrote the new APUSH)
- Lawrence Charap (in charge of the new APUSH redesign process and an extreme critic of America’s economy and military presence in the world)
- Francesca Lopez Civeira (University of Havana)
Listen to the webinar tonight at 8:00 PM EST in which Jane Robbins, Larry Keigler and Dr. Peg Luksik. Sponsored by New Yorkers United for Kids. Dial 605-562-3131, Code 755157#
More on the 2011 powerpoint. From:
May 5, 2011 – Stephen Aron, Edward L. Ayers,. Thomas Bender … Ted Dickson, Kevin Gaines, Fred. Jordan … Suzanne M. Sinke, Omar Valerio-. Jimenez …
Did you catch that this is a transformation in what and how teachers teach?